Print Mebod 2 is a regular weight, narrow, low contrast, reverse italic, normal x-height font.
Keywords: posters, packaging, social media, children’s, craft branding, playful, casual, quirky, friendly, handmade, hand lettering, approachability, informal tone, display friendliness, human texture, rounded, monoline, bouncy, informal, brushy.
A lively hand-drawn print face with monoline, brush-pen-like strokes and softly rounded terminals. Letters lean subtly backward and keep an open, airy structure with simplified forms and a slightly bouncy baseline. Widths vary from glyph to glyph, creating an irregular rhythm that feels intentionally handmade while remaining legible. Curves are loose and organic, counters are open, and joins are smooth rather than sharp, giving the set a relaxed, sketchy consistency across caps, lowercase, and numerals.
Well suited for short to medium text where warmth and personality matter—posters, stickers, packaging callouts, social posts, invitations, and casual branding. It also works nicely for educational or kid-oriented materials and handmade/craft themes, especially at display sizes where the stroke texture and rhythm can be appreciated.
The overall tone is upbeat and conversational, like quick marker lettering on a note or poster. Its uneven rhythm and gentle backward slant add personality and a lighthearted, approachable feel. The style reads as expressive and human, prioritizing charm over precision.
The design appears intended to mimic quick, confident hand lettering with a marker/brush feel, delivering a friendly, informal voice. Its consistent monoline construction and open shapes suggest an emphasis on approachable legibility while retaining the spontaneity of drawn type.
Uppercase and lowercase share a similar simplicity and stroke treatment, with lowercase forms staying open and easy to scan in longer lines. Numerals follow the same hand-rendered logic with rounded, slightly quirky shapes that match the letterforms. Spacing feels naturally variable, supporting an informal texture rather than a rigid grid.