Sans Normal Polip 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'FS Industrie' by Fontsmith, 'Avenir Next Paneuropean' by Linotype, 'Prelo Condensed' and 'Trade Gothic Display' by Monotype, 'Otoiwo Grotesk' by Pepper Type, 'Ordina' by Schriftlabor, 'Palo' by TypeUnion, and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids branding, logos, playful, friendly, chunky, retro, informal, display impact, friendly tone, playful branding, poster clarity, rounded, soft, bubbly, cartoonish, compact.
A heavy, rounded sans with soft corners and generously filled-in shapes. Strokes are thick and even with minimal modulation, creating a solid, poster-ready texture. Counters are relatively small for the weight, and joins/terminals tend to be blunted and slightly irregular, giving the forms a hand-cut feel rather than a strictly geometric precision. The overall rhythm is compact and punchy, with sturdy verticals and simplified curves that keep letterforms highly legible at large sizes.
Best suited to short-to-medium headlines where its dense weight and rounded shapes can deliver strong impact—posters, signage, packaging, and branding that benefits from a friendly voice. It also works well for playful editorial callouts and titles, especially when set with ample tracking and leading to prevent the heavy forms from feeling crowded.
The font conveys a warm, humorous tone with a slightly nostalgic, cartoon-like energy. Its chunky silhouettes feel approachable and casual, suggesting fun rather than formality. The texture reads as bold and confident, suitable for messages that want to feel upbeat and personable.
Likely designed to provide an approachable, high-impact display face that stays readable while leaning into rounded, cartoon-friendly shapes. The emphasis appears to be on bold personality and visual warmth, with simplified construction that reproduces cleanly in large-scale applications.
Uppercase forms appear especially blocky and stable, while lowercase keeps the same rounded, weighty voice with clear, simple construction. Numerals are similarly stout and friendly, matching the letterforms for cohesive headline setting.