Print Fudoz 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Autumn Voyage' by Hanoded, 'Otter' by Hemphill Type, 'Klop' by Invasi Studio, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).
Keywords: posters, packaging, headlines, stickers, event promos, playful, punchy, rough, handmade, cartoonish, handmade feel, friendly impact, informal display, playful tone, rounded, textured, blobby, imperfect, chunky.
A heavy, rounded, hand-drawn print with chunky strokes and visibly irregular edges. Forms are built from broad shapes with softly squared corners, uneven contour wobble, and small ink-like nicks that create a textured silhouette. Proportions are slightly variable from glyph to glyph, with compact counters and a sturdy, poster-like weight that keeps letters readable despite the roughness. The overall rhythm feels lively rather than precise, as if drawn quickly with a thick marker or brush.
Best suited to short-to-medium headlines, posters, product packaging, stickers, and promotional graphics where a loud, friendly voice is desired. It also works well for children’s activities, casual branding, and social-style display text, while long passages may feel dense due to the heavy weight and tight counters.
The font conveys a friendly, humorous tone with a bold, kid-like energy. Its imperfect outlines and bouncy proportions suggest spontaneity and approachability, giving text a casual, hand-made character that feels informal and expressive.
The design appears intended to mimic bold hand lettering—casual, quick, and slightly rough—prioritizing personality and impact over geometric precision. Its consistent heft and rounded construction aim to deliver high visibility while retaining an informal, drawn-by-hand charm.
Uppercase and lowercase share a consistent, chunky construction, and numerals match the same rugged, filled-in look. The texture becomes more noticeable at larger sizes, where the edge variation reads as intentional grit rather than distortion.