Sans Superellipse Dyfi 1 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Geom Graphic' by Dharma Type (names referenced only for comparison).
Keywords: ui, app design, tech branding, signage, packaging, tech, futuristic, clean, clinical, industrial, modernize, humanize tech, systematize, interface clarity, brand distinctiveness, rounded, squared, monoline, geometric, streamlined.
A geometric sans built from rounded-rectangle and superellipse-like forms, with softly squared curves and consistent monoline strokes. Corners are generously radiused, producing a smooth, molded look across bowls and counters, while horizontals and verticals stay crisp and straight. Proportions are on the expanded side with open apertures and sturdy, simplified construction; diagonals (as in V/W/X/Y) are clean and decisive. Numerals follow the same rounded-square logic, with a squared, framed zero and compact, segmented curves on 2/3/5/6/9 that reinforce the font’s engineered rhythm.
Well suited to digital interfaces, dashboards, and product surfaces where rounded geometry reads as contemporary and intentional. It can also serve tech-forward branding and packaging, as well as wayfinding or display settings where clean, squared curves and sturdy shapes help maintain clarity at a glance.
The overall tone is modern and technical, evoking UI hardware, sci‑fi interfaces, and contemporary industrial design. Its softened corners keep it approachable and friendly, but the squared geometry maintains a precise, engineered character.
Likely designed to translate the feel of rounded industrial forms into a straightforward sans, combining soft corners with disciplined geometry for a modern, device-friendly voice. The aim appears to be a distinctive, futuristic texture without resorting to ornament or high-contrast detailing.
The design language is highly consistent across capitals, lowercase, and figures, with a strong emphasis on rounded terminals and boxy bowls. The sample text shows steady color and clear spacing, giving long lines a calm, controlled texture rather than a handwritten or expressive feel.