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Free for Commercial Use

Wacky Tesi 3 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Double Back' and 'Elephantmen' by Comicraft, 'Gasco' by Joelmaker, 'Danos' by Katatrad, 'Mesquin' by MuSan, 'Dark Sport' by Sentavio, 'Fixture' by Sudtipos, and 'Pctl4800' and 'Pctl9600' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, logo marks, packaging, event promos, energetic, playful, mischievous, rough, retro, stand out, add humor, imply motion, handmade feel, display impact, brushy, rugged, chunky, angular, slanted.


Free for commercial use
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A very heavy, right-slanted display face with chunky strokes and intentionally uneven contours. Letterforms are compact and squarish with rounded corners, wedge-like terminals, and slightly irregular edges that suggest a hand-rendered or inked process. Counters tend to be tight and simplified, and curves are often flattened into angular, blocky shapes, giving the alphabet a muscular, poster-like texture. Spacing and silhouettes feel intentionally inconsistent from glyph to glyph, reinforcing an offbeat, bespoke rhythm in text.

Best suited to short, high-impact copy such as posters, headline systems, packaging callouts, event promotions, and expressive logo wordmarks. It works well where a bold, humorous voice is desirable and where legibility demands are moderate rather than text-oriented.

The overall tone is loud and comic, with a scrappy, streetwise attitude. Its slanted stance and roughened edges create motion and urgency, while the exaggerated weight and quirky construction keep it lighthearted and attention-seeking.

The design appears intended to deliver immediate visual punch with a deliberately imperfect, hand-made feel. By combining a strong italic slant, compact block forms, and roughened edges, it aims to stand out as a distinctive novelty display face for expressive branding and attention-grabbing titles.

At larger sizes the textured outlines and compact counters become a defining feature, while in smaller settings the dense interiors and irregular details can reduce clarity. The design reads best when allowed generous size and breathing room, where its distinctive shapes and lively slant can carry the message.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸