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Sans Other Ulvy 7 is a very light, normal width, low contrast, italic, normal x-height font visually similar to 'Heimat Stencil' by Atlas Font Foundry (names referenced only for comparison).

Keywords: headlines, branding, magazine, posters, packaging, airy, sleek, modern, delicate, editorial, elegant display, editorial tone, modern refinement, distinctive italic, monoline, slanted, open forms, sharp terminals, calligraphic.


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A very thin, slanted sans with monoline strokes and open, lightly constructed forms. Curves are smooth and rounded, while terminals often finish with crisp, angled cuts that give the outlines a sharpened, slightly calligraphic edge. Proportions feel balanced with a moderate x-height and generous counters; spacing reads even but not rigidly mechanical, contributing to a refined, lightweight rhythm in text. The design includes a few idiosyncratic details—such as occasional hook-like joins and distinctive descenders—that add character without tipping into ornament.

Best suited to display settings such as headlines, editorial layouts, brand marks, and packaging where its thin strokes and angled terminals can read clearly. It works well for short to medium text runs in high-contrast print or screen contexts, and for refined typographic pairings where a lightweight italic presence is desired.

The overall tone is elegant and contemporary, with an airy, fashion-forward feel. Its thin strokes and consistent slant convey sophistication and speed, reading as clean and controlled rather than playful. The subtle quirks in certain letters add a human, crafted flavor that keeps it from feeling purely utilitarian.

The design appears intended as a stylish, ultra-light italic sans that blends modern geometry with a hint of calligraphic sharpness. Its construction prioritizes elegance and visual rhythm over neutrality, aiming to provide a distinctive voice for contemporary editorial and branding applications.

At larger sizes the sharp terminals and distinctive letterforms become a key part of the personality, while at smaller sizes the extremely light strokes may require careful color/contrast choices to maintain clarity. The figures follow the same minimalist, slanted construction, pairing well with the letterforms for cohesive titling or short numeric callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸