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Solid Esha 5 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Jonah' by Canada Type, 'Aorta' by Gaslight, and 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, logo marks, packaging, album covers, quirky, retro, chunky, playful, punchy, attention grabbing, graphic texture, retro display, quirky character, rounded, compressed, stencil-like, poster, blobby.


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A compact, heavy display face with rounded-rectangle construction and softened corners. Strokes are thick and mostly monolinear, with counters frequently reduced to narrow slits or fully collapsed, producing solid, blocky silhouettes. Many letters show small notches and irregular breaks that read as stencil-like interruptions, giving the alphabet a slightly fragmented, hand-cut rhythm while keeping a consistent overall width and vertical stance. Spacing appears tight and the forms pack densely, creating strong texture and high visual mass in text.

Best suited for headlines and short display settings where its dense, solid texture can act as a graphic element. It works well on posters, packaging, and album or event artwork, and can also serve as a distinctive logo wordmark when set with generous tracking and ample size.

The font conveys a playful, slightly mischievous tone with a retro, poster-era feel. Its chunky, compressed shapes and quirky internal cut-ins create an intentionally odd, attention-grabbing voice that feels more expressive than neutral.

The design appears intended to deliver maximum visual weight in a condensed footprint while adding character through irregular cut-ins and collapsed interiors. It prioritizes bold presence and graphic texture over open counters and conventional readability.

The most distinctive trait is the repeated use of micro-counters and internal seams that mimic filled-in apertures and produce a near-silhouette look at smaller sizes. In longer lines, the dense black texture dominates, so the design reads best when used for impact rather than continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸