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Sans Other Jiga 7 is a regular weight, normal width, low contrast, upright, short x-height font visually similar to 'Designator' by TEKNIKE (names referenced only for comparison).

Keywords: headlines, logos, posters, game ui, tech branding, techno, futuristic, industrial, digital, arcade, sci-fi styling, digital signage, modular system, angular, squared, geometric, monoline, octagonal.


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A sharply angular, geometric sans built from straight strokes and squared-off counters. Corners are predominantly hard and orthogonal with occasional 45° cuts, giving many letters an octagonal, engineered silhouette. Strokes read largely monoline, with broad rectangular horizontals and verticals that create a sturdy, modular rhythm. The lowercase is compact with minimal curves and simplified joins; bowls and apertures tend to be boxy, and diagonals in forms like K, X, and Z are crisp and mechanical. Numerals follow the same square construction, with an especially rectilinear 0 and segmented-looking 2–3 shapes that reinforce a digital feel.

Best suited to display settings where its angular construction can be a feature: tech and gaming headlines, sci-fi titling, brand marks, packaging accents, and UI/overlay graphics. It can also work for short blocks of text where a bold, mechanized voice is desired, especially at medium-to-large sizes.

The overall tone is technical and sci-fi, evoking interface lettering, arcade graphics, and utilitarian industrial labeling. Its rigid geometry and clipped corners communicate precision, control, and a slightly retro-computing aesthetic rather than warmth or humanist softness.

The design appears intended to translate a modular, machine-made geometry into a readable sans, prioritizing a distinctive, digital-industrial signature over conventional text warmth. Its squared bowls, clipped corners, and uniform stroke logic suggest a systemized approach meant to feel precise and contemporary with a retro-tech edge.

Wide, squared counters and consistent right angles make the design read cleanly at larger sizes, while the dense, stepped details in some glyphs suggest it will feel more distinctive than neutral in continuous text. The punctuation and terminals keep the same hard-edged treatment, maintaining a cohesive, schematic texture across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸