Sans Faceted Hukes 6 is a very light, wide, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, tech branding, data display, diagram annotation, headlines, technical, futuristic, minimal, precise, architectural, systematic design, digital tone, schematic clarity, constructed geometry, octagonal, chamfered, geometric, linear, modular.
This typeface is built from thin, even strokes with a rigid, geometric construction. Curves are consistently replaced by short angled segments, creating octagonal bowls and chamfered terminals across rounds and diagonals. Proportions feel roomy and horizontally open, with clear interior counters and steady, grid-like spacing that reinforces its engineered rhythm. The overall drawing is clean and schematic, emphasizing straight lines, crisp corners, and repeatable facets rather than calligraphic modulation.
It suits interface labeling, dashboards, and data or measurement contexts where a crisp, engineered look is desired. The faceted geometry also works well for tech-forward branding, posters, and headline settings that want a constructed, digital voice. In longer passages it maintains an orderly texture, though its distinctive chamfering will be most appreciated in display and short-form copy.
The faceted outlines give the font a technical, futuristic tone reminiscent of CAD labels, digital instrumentation, and constructed signage. Its minimal stroke work and disciplined geometry read as precise and utilitarian, with a cool, modern edge. The consistent chamfers add a subtle “machined” character that feels purposeful rather than decorative.
The design appears intended to translate a sans structure into a modular, polygonal system that feels machined and systematic. By substituting curves with consistent planar facets and keeping strokes uniform and light, it aims for clarity, repeatability, and a contemporary technical aesthetic.
Faceting is applied uniformly to rounded shapes (notably O/C/G and the numerals), which helps maintain visual consistency and reduces the presence of true curves. The light stroke and open forms keep text from feeling dense, while the angular segmentation becomes more noticeable at larger sizes where the planar geometry reads as a deliberate style element.