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Free for Commercial Use

Distressed Segy 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Arial' and 'Arial Nova' by Monotype, 'Aksioma' by Zafara Studios, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, packaging, headlines, logotypes, stickers, rugged, playful, handmade, gritty, retro, tactile texture, vintage feel, bold impact, handmade tone, print wear, roughened, inked, weathered, blunt, chunky.


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A heavy, rounded sans with compact proportions and blunt terminals, drawn with an intentionally imperfect silhouette. The letterforms are built from sturdy strokes and simple geometry, but the contours show consistent roughening and small nicks that suggest worn printing or ink spread. Curves are full and soft (notably in C, O, S, and G), while diagonals and joins stay thick and stable, keeping the texture from harming overall legibility. Numerals match the same chunky construction, with slightly irregular edges that read as a unified distressed finish rather than random noise.

Best suited to display applications where texture and weight are part of the message: posters, event promos, product packaging, labels, stickers, and bold social graphics. It can also work for short logotype treatments or section headers when you want an emphatic, tactile look, but the distressed edges are likely to overwhelm small text sizes.

The overall tone feels bold and approachable, mixing a friendly, cartoon-like massing with a gritty, screen-printed patina. It evokes casual, hands-on making—something between vintage poster type and rugged packaging marks—without becoming chaotic or overly decorative.

The design appears intended to deliver high-impact display typography with a deliberately worn, inked surface—pairing simple, rounded construction with a controlled distressed treatment to create character and immediacy.

The distress is applied evenly across uppercase, lowercase, and numerals, giving the font a cohesive “printed and worn” rhythm. Counters remain fairly open for such a heavy style, and the baseline presence is strong, which helps it hold up in short phrases and headline settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸