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Sans Superellipse Humas 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Allotrope' by Kostic, 'Antry Sans' by Mans Greback, 'Amsi Pro' and 'Sans Beam' by Stawix, and 'Obvia Condensed' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, assertive, industrial, retro, sporty, utilitarian, impact, clarity, density, branding, blocky, compact, dense, rounded corners, sturdy.


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The design is built from thick, continuous strokes with minimal modulation and rounded-rectangle curves that keep counters and bowls soft-edged rather than circular. Corners are broadly eased, terminals are mostly straight and cut, and internal spaces are tight, producing a dense texture in text. Proportions lean toward compact apertures and simplified forms, with a sturdy baseline and a consistent, heavy rhythm across uppercase, lowercase, and figures.

It works well for headlines, posters, packaging, and branding that needs a strong, compact voice. The dense texture and tight spacing make it effective in logos, labels, and sports/club-style graphics where space is limited and emphasis is key. It can also suit wayfinding or bold UI callouts when used sparingly and with generous line spacing.

This typeface projects a confident, blunt, high-impact tone. Its compact, blocky presence feels utilitarian and emphatic, with a slightly retro, poster-like energy that reads as direct rather than refined. The overall vibe is sturdy and no-nonsense, suited to messaging that wants to sound decisive and loud.

The font appears designed to deliver maximum visual impact and immediate legibility at display sizes. Its superellipse-like rounding and simplified geometry aim for a friendly hardness: softened edges without losing a strong, block-structured silhouette. The tight counters and heavy color suggest an intention to hold together in bold headlines and short statements rather than long-form reading.

Uppercase forms are especially monolithic, while lowercase remains simplified and sturdy with short extenders and compact counters. Numerals are similarly heavy and geometric, matching the overall squared-round construction for consistent color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸