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Free for Commercial Use

Inline Upli 7 is a very bold, wide, very high contrast, italic, normal x-height font.

Keywords: posters, headlines, logos, packaging, signage, playful, retro, comic, circus, quirky, expressive display, showcard energy, dimensional effect, retro flavor, chunky, bouncy, hand-drawn, outlined, carved.


Free for commercial use
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A chunky, forward-leaning display face with irregular, hand-drawn contours and a cut-in inline highlight that reads like a carved groove through the black shapes. The letterforms are wide and energetic, with bouncy baselines and slightly inconsistent widths that create an animated rhythm. Counters are generally generous for the weight, and many glyphs show beveled/angled terminals and small notches that add a chiseled, dimensional feel. The overall silhouette is bold and attention-grabbing, while the internal inline and subtle outline-like edges keep the forms from feeling monolithic.

Best suited for short, high-impact settings such as posters, headlines, logo wordmarks, event graphics, packaging callouts, and storefront-style signage. It can work for playful editorial headers or album/game titling where a bold, characterful voice is desired, but it is less appropriate for small body text due to the heavy stroke mass and busy internal detailing.

The font projects a lively, mischievous tone with a strong retro show-card sensibility. Its jaunty slant and uneven, cartoonish shaping evoke comic titling, carnival signage, and playful packaging. The inline carving adds a hint of theatrical drama, making the face feel extroverted and headline-oriented rather than quiet or utilitarian.

The design appears intended as a characterful, display-first face that combines bold silhouettes with a carved inline detail to suggest depth and motion. Its controlled irregularity and forward lean are geared toward expressive, attention-seeking typography that feels handmade and theatrical.

In longer lines of text, the dense black mass and active interior carving create a textured color on the page; it reads best with ample size and spacing. The irregularities appear intentional and consistent enough to feel designed rather than distressed, giving the face character without relying on heavy grunge effects.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸