Sans Faceted Idmow 11 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: display, headlines, ui, branding, posters, futuristic, technical, minimal, sci-fi, precise, sci-fi aesthetic, geometric system, interface tone, modern minimalism, monoline, geometric, angular, squared, open apertures.
A monoline geometric sans built from straight strokes and squared, chamfered corners, replacing most curves with crisp planar turns. Counters trend toward rectangular forms (notably in O, D, and the rounded letters), while horizontals and verticals dominate the construction with occasional sharp diagonals in A, K, V, W, X, and Y. Terminals are clean and mostly flat, producing an airy, engineered rhythm; spacing reads on the generous side and the overall texture stays even due to consistent stroke thickness. Numerals echo the same faceted logic, with angular bowls and open, segmented-looking forms in figures like 2, 3, 5, and 9.
Best suited to display settings where its angular construction can be appreciated—headlines, titles, tech branding, packaging, and poster work. It can also work for interface-style labels, dashboards, and motion graphics where a clean, engineered aesthetic is desired, though its thin strokes may call for adequate size and contrast in longer text.
The faceted geometry and thin, disciplined linework suggest a sleek, forward-looking tone—clinical rather than friendly, with a distinct digital/industrial flavor. Its sharp corners and squared counters project precision and control, giving text a sci-fi interface feel without decorative excess.
The design appears intended to translate a modernist sans into a faceted, grid-like system, emphasizing straight segments, chamfered corners, and rectangular counters to evoke a digital/architectural sensibility while keeping letterforms broadly familiar.
Uppercase and lowercase share a strong structural coherence, with simplified, architectural shapes and prominent right angles. The lowercase maintains a schematic quality (single-story a and g, squared e), and the overall design favors clarity of outline over traditional calligraphic cues.