Sans Other Ufmiz 13 is a very light, normal width, low contrast, upright, short x-height font.
Keywords: headlines, branding, posters, packaging, editorial, minimalist, art-deco, elegant, airy, technical, display focus, geometric clarity, distinctive branding, modern refinement, monolinear, geometric, open counters, high-waisted, sharp terminals.
A monolinear, geometric sans with very thin strokes and generous internal space. The design mixes near-perfect circular bowls with straight, linear stems, creating a clean but slightly idiosyncratic rhythm. Many terminals are sharply cut or squared off, and several forms use deliberate openings and simplified joins rather than traditional closed construction, giving the alphabet a constructed, schematic feel. Proportions lean tall and narrow with a notably small x-height relative to the capitals, and curves stay smooth and even without noticeable modulation.
Best suited to headlines, logo wordmarks, and short editorial settings where its thin strokes and geometric construction can be appreciated at larger sizes. It can work well for premium branding, packaging, and poster design that benefits from a light, airy typographic color. For extended reading or small UI sizes, it will typically need ample size and contrast to maintain clarity.
The overall tone is refined and minimalist, with an Art Deco–adjacent sleekness that reads modern, calm, and slightly futuristic. Its thin lines and open forms feel delicate and precise, suggesting sophistication more than warmth. The quirky constructed details add a subtle experimental edge without becoming decorative.
The design appears intended as a contemporary display sans that blends geometric purity with a few purposeful construction quirks. It aims to deliver a sleek, high-end impression while standing apart from neutral grotesks through its open shapes, sharp terminals, and tall, elegant proportions.
Distinctive structural choices—like open or partially interrupted bowls and occasional angular notches—make the face feel custom and display-oriented. The numerals follow the same light, geometric logic, staying simple and airy, and the overall color remains very pale at text sizes due to the fine stroke weight.