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Free for Commercial Use

Sans Normal Orris 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'FF Absara Sans Headline' by FontFont, 'Whitney' by Hoefler & Co., 'TheSans' by LucasFonts, and 'Schnebel Sans ME' and 'Schnebel Sans Pro' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, kids media, friendly, playful, chunky, casual, retro, approachability, impact, informality, display clarity, retro charm, rounded, soft, bulky, bouncy, compact.


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A heavy, rounded sans with soft corners and gently swollen curves that create an overall “puffy” silhouette. Strokes are largely uniform, with subtle, organic-looking modulation coming from the way terminals and joins are shaped rather than from true contrast. Counters are fairly open for the weight, and the forms lean toward circular/elliptical construction; several letters show slightly irregular, hand-cut geometry that adds bounce and texture. Uppercase proportions are broad and stable, while lowercase shapes feel compact and sturdy with prominent bowls and short, confident terminals; numerals are similarly chunky and simplified for impact.

Best suited to display typography where its chunky, rounded forms can be appreciated—headlines, posters, packaging, logos, and branding systems seeking a friendly voice. It can also work for short UI labels or social graphics when a warm, approachable tone is desired, though the heavy weight suggests keeping text runs short.

The font reads warm and approachable, with a playful, slightly retro tone reminiscent of hand-cut signage or cartoon-friendly branding. Its bouncy shapes and softened endings keep it from feeling strict or corporate, aiming instead for an easygoing, personable voice.

The design appears intended to deliver high-impact legibility with a friendly, informal character, combining a clean sans foundation with softened, slightly quirky shaping to feel more human and approachable.

Round characters (like O/Q/0 and bowls in b/p/d) carry much of the personality through their soft, slightly squarish rounding and generous weight. Diagonals (V/W/X/Y) appear thick and assertive, contributing to a strong poster-like presence, while dots and small details remain simple and sturdy at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸