Print Kugok 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Rabon Grotesk' by 38-lineart, 'Flaco' by Letter Edit, 'MC Logith' by Maulana Creative, 'Sebino Soft' by Nine Font, and 'Core Sans ES' by S-Core (names referenced only for comparison).
Keywords: children’s books, posters, packaging, logos, stickers, playful, friendly, chunky, casual, bouncy, approachability, humor, handmade, high impact, youthful, rounded, soft terminals, puffy, cartoonish, hand-drawn.
A very heavy, rounded print face with soft, blunted terminals and gently irregular curves. Strokes are thick and even, with subtly uneven joins and slightly wobbly contours that suggest hand-drawn construction rather than geometric precision. Counters are generous and rounded, and the overall silhouette feels inflated and pillow-like, with a lively baseline rhythm and modest shape variation across letters. Lowercase forms are simple and open, with a single-storey “a” and “g” and compact, friendly punctuation-like details in dots and joins.
Best suited to display settings where a bold, friendly personality is desirable—children’s and family-oriented materials, playful posters and flyers, informal packaging, and characterful branding or logos. It can also work for short captions or callouts where high impact and approachability matter more than typographic restraint.
The font projects a warm, approachable tone that reads as playful and informal. Its chunky weight and rounded shapes create a cute, kid-friendly energy, while the subtle irregularities keep it human and conversational rather than corporate. Overall it feels cheerful, humorous, and inviting.
The design appears intended to mimic a thick marker or brush-pen print style with rounded corners and a deliberately imperfect outline. Its goal is to deliver maximum friendliness and impact through weight, soft geometry, and a hand-made rhythm that feels casual and fun.
At text sizes the heavy color becomes a dominant texture, and the rounded apertures help maintain clarity despite the mass. The widest letters (like M/W) add a buoyant, uneven rhythm that suits expressive headlines more than tightly set copy.