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Free for Commercial Use

Sans Superellipse Abrir 10 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Bluteau Code' by DSType, 'Bluset Now Mono' by Elsner+Flake, 'CamingoCode' and 'CamingoMono' by Jan Fromm, 'TheSans Mono' by LucasFonts, and 'Adelle Mono' by TypeTogether (names referenced only for comparison).

Keywords: coding, ui labels, data tables, terminals, technical docs, technical, utilitarian, clean, modern, neutral, clarity, alignment, interface use, modernization, neutrality, rounded corners, boxy rounds, compact forms, even color, square dots.


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This typeface is a monospaced sans with a squared, superellipse-driven skeleton: round letters are built from rounded-rectangle bowls and counters, and curves resolve into crisp, controlled corners. Strokes maintain an even, low-contrast color with consistent horizontals and verticals, giving lines of text a steady rhythm. Terminals are mostly blunt and orthogonal, with subtly rounded joins that keep the forms from feeling sharp. The lowercase is compact and highly structured, with single-storey a and g, a flat-shouldered r, and squared i/j dots that reinforce the grid-like construction. Numerals are similarly boxy and geometric, with open, legible shapes and uniform spacing typical of fixed-width designs.

It works well wherever consistent character widths and predictable alignment are important, such as programming environments, terminal interfaces, tabular readouts, and settings/diagnostic UI. The sturdy, rounded-rect letterforms also suit short labels, navigation elements, and technical documentation that benefits from a clean, structured texture.

The overall tone is practical and no-nonsense, with a contemporary, technical feel. Its rounded-rect geometry adds a friendly softness to an otherwise disciplined, engineered voice.

The font appears designed to provide clear, consistent monospaced readability while expressing a modern geometric personality through superellipse-inspired curves and squared counters. The aim seems to balance functional clarity with a distinctive, softly boxy silhouette that remains disciplined in running text.

In text, the fixed-width cadence is prominent and the proportions stay consistent across capitals, lowercase, and numerals. The design leans on straight stems and flattened curves, producing a slightly condensed, modular look that reads especially well in aligned columns and code-like settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸