Sans Superellipse Remob 15 is a light, narrow, low contrast, upright, normal x-height font visually similar to 'Mynor' by The Northern Block (names referenced only for comparison).
Keywords: ui labels, editorial captions, posters, packaging, wayfinding, clean, technical, modern, restrained, airy, space saving, modern clarity, systematic geometry, neutral branding, interface use, monoline, rounded, geometric, condensed, open.
A slim, monoline sans with gently rounded terminals and an overall superelliptical construction, especially visible in bowls and counters. The forms are vertically oriented with a tall, condensed stance and open apertures that keep the texture light and breathable in text. Curves tend toward rounded-rectangle geometry rather than perfect circles, while joins stay crisp and straightforward, producing an even rhythm across mixed-case settings. Numerals follow the same narrow proportions, with simple, uncluttered shapes and consistent stroke behavior.
It performs well where space economy and clarity are important, such as UI labels, navigation, dashboards, and data-heavy layouts. The tall, narrow proportions also suit captions, subheads, and poster typography where a clean vertical emphasis is desired. In branding, it can support minimal packaging and modern identity systems that prioritize restraint and legibility.
The font conveys a clean, contemporary tone with a slightly technical, utilitarian feel. Its narrow, airy rhythm reads as efficient and organized rather than expressive, making it feel suited to modern interfaces and structured layouts.
The design appears intended as a streamlined, space-saving sans built from rounded-rectangle geometry, prioritizing consistency and clear spacing over decorative character. Its restrained detailing suggests an aim for broad applicability across contemporary digital and print layouts.
Capitals and lowercase share a consistent geometric logic, with soft rounding at ends helping avoid harshness despite the condensed width. The overall color stays even in paragraphs, and the punctuation and dots appear compact and unobtrusive, supporting a minimal, orderly typographic voice.