Print Gelip 4 is a bold, narrow, low contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, kids, craft branding, playful, handmade, friendly, quirky, casual, handmade feel, casual display, show personality, friendly tone, crafty texture, chunky, rounded, brushed, irregular, bouncy.
A chunky hand-drawn print with rounded forms and slightly irregular outlines that mimic a brush or marker stroke. Stems and bowls stay fairly compact, while terminals often taper or blunt unevenly, giving a lively, imperfect edge. The texture feels dry-brushed in places, with subtle wobble in curves and occasional spur-like flicks on horizontals. Spacing and widths vary from glyph to glyph, producing an informal rhythm that reads clearly at display sizes.
Works best for posters, headers, packaging callouts, and short statements where a warm, informal voice is desired. It also suits kid-oriented materials, DIY/craft branding, café or market signage, and social graphics that benefit from a hand-lettered feel. For long passages or very small sizes, the dense shapes and textured edges may feel heavy, so pairing with a simpler text face can help.
The overall tone is upbeat and approachable, with a crafty, homemade character. Its bouncy shapes and intentionally imperfect stroke edges suggest spontaneity and humor rather than formality. It feels well-suited to lighthearted messaging where personality is more important than typographic restraint.
The design appears intended to capture the charm of hand-lettered print—clear, bold shapes with visible human variation and a brushy edge. It prioritizes personality and immediacy over mechanical consistency, aiming for an expressive, friendly look that stands out in display settings.
Uppercase letters lean toward simplified, sign-like shapes, while lowercase stays compact with small counters, reinforcing the hand-rendered feel. Numerals share the same rounded, slightly lopsided construction, keeping a consistent voice across alphanumerics. The texture becomes a key part of the look, so it will appear most characteristic when set large enough for the rough edges to be visible.