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Sans Normal Ipkab 10 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, 'MC Maxes' by Maulana Creative, 'Adesso' by Présence Typo, 'Ahimsa' by Satori TF, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, signage, playful, friendly, retro, chunky, bouncy, attention-grabbing, approachability, nostalgia, characterful display, informal tone, rounded, soft, bubble-like, compact, cartoonish.


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A heavy, rounded sans with soft corners and bulbous curves that give each letter a cushioned, inflated feel. Strokes stay broadly consistent, with subtly uneven internal counters and a slightly irregular rhythm that reads as intentionally “hand-shaped” rather than mechanically geometric. Terminals are blunt and smooth, bowls are generous, and joins are thick and sturdy, producing a compact, high-impact silhouette. Lowercase forms are simple and single‑storey where expected, with small, rounded details (like the dots) that match the overall chunky texture; numerals follow the same soft, blocky construction for a cohesive set.

Best suited for short, bold statements such as posters, headlines, cover art, packaging, and brand marks that want a friendly, high-energy presence. It also works well for signage and social graphics where clarity and a playful voice matter more than quiet, long-form readability.

The font conveys a warm, approachable tone with a strong retro-display personality. Its rounded heft feels playful and informal, evoking cartoons, snack packaging, and cheerful signage rather than corporate or technical communication.

The design appears intended to deliver maximum impact with a soft, inviting edge—combining thick, rounded forms and a gently irregular rhythm to create a distinctive, characterful display sans that stays legible while feeling fun and approachable.

At text sizes it remains readable but visually dominant, with tight-looking internal spaces and strong black coverage that can quickly fill a layout. The slightly irregular shapes add character and prevent the design from feeling sterile, while the overall construction remains clean and consistent across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸