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Free for Commercial Use

Sans Superellipse Ofliv 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'PODIUM Sharp' by Machalski, 'MC Laozheng' by Maulana Creative, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, punchy, retro, friendly, quirky, impact, approachability, retro flavor, display clarity, rounded, compact, blunt, bouncy, soft corners.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing a dense, even color in text. Counters are small and often squarish, and terminals tend to be blunt, occasionally swelling into subtle bulb-like ends that add a hand-cut feel. The overall rhythm is tight and vertical, with rounded shoulders and simplified joins that keep shapes sturdy at display sizes.

Best suited to display applications where impact and personality matter: headlines, posters, packaging, badges, and bold branding lockups. It can work for short bursts of text (taglines, callouts) when generous size and spacing are available, but the tight counters suggest avoiding small sizes or lengthy paragraphs.

The letterforms read bold and jovial, mixing a clean geometric base with slightly eccentric details that feel vintage and cartoon-adjacent. It projects confidence and friendliness, with a touch of funk that keeps it from feeling purely utilitarian.

The design appears aimed at creating a sturdy, highly legible display voice with a rounded-rectilinear geometry and a playful, retro-leaning attitude. It balances a simple sans structure with softened, characterful terminals to stand out in branding and promotional settings.

Round forms like O and Q are more superelliptical than circular, and the numerals follow the same chunky, softened geometry, helping headings and mixed alphanumeric settings feel cohesive. The strong weight and compact interior spaces favor short lines and prominent messaging over delicate or highly detailed typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸