Slab Contrasted Gyhe 3 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Fairplex' by Emigre; 'FF Kievit Slab', 'FF Tisa', and 'FF Tisa Paneuropean' by FontFont; and 'Rooney' by Jan Fromm (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, vintage, robust, friendly, poster-ready, confident, impact, heritage feel, readability, signage strength, bracketed serifs, soft corners, rounded slabs, ink-trap feel, compact counters.
A heavy, highly legible slab serif with rounded, bracketed terminals and a slightly softened, inked-in silhouette. Strokes are broad with subtly modulated contrast, and the serifs read as sturdy slabs with gentle curvature rather than sharp, mechanical cuts. Curves are full and roomy, while many joins and interior corners show a subtly scooped, ink-trap-like shaping that helps preserve counters at bold sizes. Proportions lean broad overall with a steady rhythm, and the figures match the letters in weight and presence for cohesive headline setting.
This design is well suited to display applications such as posters, big editorial headlines, event graphics, packaging labels, and storefront or wayfinding signage where a strong silhouette is needed. It can also work for logo wordmarks and short, punchy statements, especially when a vintage-leaning slab voice is desired.
The tone is bold and welcoming, with a classic American-display feel that suggests workwear, vintage signage, and editorial punch. Its rounded slabs and softened edges keep it approachable rather than severe, making it feel sturdy, dependable, and a bit nostalgic.
The likely intention is to deliver a bold, classic slab serif optimized for impact and durability, balancing strong slabs with softened curves and counter-preserving details to maintain clarity. It appears designed to evoke heritage display typography while remaining friendly and readable in large-scale settings.
In text, the weight creates strong color and high impact, with clear differentiation between similar forms (notably in the numerals) and a stable baseline presence. The letterforms feel intentionally carved and slightly condensed in their internal spaces, giving it a dense, attention-grabbing texture that holds up well at large sizes.