Script Telih 2 is a light, normal width, high contrast, italic, normal x-height font.
Keywords: invitations, branding, logotypes, headlines, packaging, elegant, refined, romantic, classic, inviting, calligraphic tone, formal warmth, decorative capitals, display emphasis, calligraphic, swashy, looped, flowing, graceful.
A flowing, right-slanted script with calligraphic construction and pronounced stroke modulation. Letterforms show tapered entries and exits, soft hairlines, and rounded turns, with occasional swashes on capitals and select lowercase forms. The rhythm is smooth and continuous in text, with a gently bouncing baseline and open interior counters that keep forms from feeling cramped. Numerals and punctuation follow the same cursive logic, with curving terminals and consistent contrast-driven texture.
This style is well-suited to invitations, announcements, and other formal stationery where a graceful script is expected. It also performs well for branding accents, logotypes, and packaging display copy that benefits from an elegant handwritten signature. For best results, use at display sizes where the fine hairlines and swashes have room to read cleanly.
The overall tone feels poised and personable—formal enough for ceremonial or classic uses, yet warm and approachable due to its rounded joins and looping gestures. The high-contrast pen-like movement adds a sense of refinement and quiet drama, evoking traditional handwriting and invitation-style calligraphy.
The design appears intended to emulate polished calligraphic handwriting: smooth, connected cursive with expressive capitals and disciplined contrast. Its consistent slant, looping terminals, and ornamental openings suggest a focus on creating a refined, celebratory voice for display typography.
Capitals are notably decorative, using generous entry strokes and looped structures that stand out in headings. In continuous text, the slant and consistent joining create a cohesive line, while the contrast produces a crisp, sparkling texture at larger sizes. The figures are slightly stylized, aligning visually with the cursive letterforms rather than appearing purely typographic.