Print Isnur 11 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, halloween, comics, packaging, kids media, playful, spooky, handmade, cartoony, gooey, hand-drawn feel, expressive display, gooey effect, friendly horror, blobby, irregular, rounded, chubby, textured.
A heavy, blobby hand-drawn print with rounded terminals and noticeably uneven contours, as if painted with a thick marker or brush. Strokes swell and pinch unpredictably, creating a lively rhythm and an organic, slightly wobbly baseline feel. Counters are small and soft-edged, and many joins appear lumpy or pooled, giving letters a melted silhouette. Overall spacing is loose and forgiving, with informal proportions and a deliberately imperfect consistency across glyphs.
Best suited for short to medium display text where its bold, irregular silhouettes can carry personality—posters, event flyers, Halloween and seasonal graphics, comic titling, playful packaging, and attention-grabbing headers. It can work for brief captions or pull quotes, but the tight counters and lumpy edges make long passages less comfortable at small sizes.
The font reads as playful and mischievous with a mild horror-comic edge—more “monster movie poster” than truly scary. Its gooey shapes and bouncy irregularity suggest hand-crafted energy, making text feel animated and characterful. The tone leans toward quirky, kid-friendly, and slightly eerie depending on color and context.
Likely designed to emulate thick hand-lettering with a deliberately “melted” outline, prioritizing expressive impact and a casual, human touch over precision. The consistent heaviness and rounded, pooled shapes suggest an aim for high visibility and a cartoon-horror flavor that remains friendly and approachable.
Capitals are chunky and simplified, while lowercase maintains the same thick, organic gesture with single-storey forms and softened details. Numerals match the same hand-inked heft, staying legible but stylized through uneven bowls and wavy edges. The overall texture comes primarily from contour wobble rather than visible grain.