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Free for Commercial Use

Slab Square Tody 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Geometric Slabserif 703' by Bitstream, 'Goodall' by Colophon Foundry, 'Publica Slab' by FaceType, 'Fried Chicken' by FontMesa, 'ITC Lubalin Graph' by ITC, 'Emy Slab' by Latinotype, and 'Sharp Slab' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, assertive, retro, sporty, editorial, punchy, impact, motion, headline emphasis, brand punch, blocky, bracketed, compact, ink-trap like, rounded counters.


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A heavy, right-leaning slab serif with broad proportions and tightly integrated, blocky serifs. Strokes are largely monolinear, with crisp, square-ended terminals and sturdy bracket-like joins that keep shapes compact and forceful. Counters are rounded but somewhat compressed by the weight, and several letters show small notches/ink-trap-like cut-ins at interior joins that sharpen the rhythm at display sizes. The overall texture is dense and steady, with a consistent forward slant across both uppercase and lowercase.

Best suited to short-form display work such as headlines, posters, sports and event branding, packaging callouts, and logo or wordmark concepts where weight and slant can carry the message. It can also work for subheads or pull quotes, but the dense color and wide stance will dominate in longer passages.

The tone is bold and energetic, with a distinctly vintage, headline-forward attitude. Its athletic, poster-like presence reads confident and a bit brash, balancing industrial sturdiness with a punchy, slanted motion.

The design appears intended to deliver maximum impact with a fast, forward-leaning feel while preserving the familiar structure of a slab serif. Its sturdy slabs and compact joins emphasize strength and immediacy, optimized for eye-catching, high-contrast layout moments.

Lowercase forms remain stout and simplified, maintaining strong silhouettes and clear differentiation even under heavy weight. Numerals follow the same chunky construction, producing a cohesive set for big, attention-driven settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸