Sans Normal Andih 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Halenoir' by Ckhans Fonts, 'Monto Grotesk' by Lucas Tillian, 'Helvetica Now' by Monotype, 'Reyhan' by Plantype, and 'Nurom' and 'Nurom Next' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, neutral, clean, confident, clarity, modern utility, strong presence, simple geometry, geometric, rounded, high contrast (ink/space, crisp, open counters.
A sturdy sans with broadly geometric construction and smooth, circular curves paired with straight, squared terminals. Strokes are consistently heavy and even, producing a solid rhythm and strong color in text. Round letters like O/C/G read as near-circular with open apertures, while verticals and horizontals stay clean and unmodulated. The lowercase has compact, tidy forms with generous counters; the single-storey a and g reinforce a simplified, contemporary feel. Numerals are large and clear with rounded bowls and straightforward diagonals, matching the letterforms’ weight and proportions.
This font is well suited to headlines, brand marks, posters, and short-form messaging where a strong, clean voice is needed. It also works for UI labels and signage thanks to its open counters, clear numerals, and stable, no-nonsense shapes.
The overall tone is modern and approachable, projecting clarity and reliability rather than personality-driven quirk. Its heavy, steady presence feels confident and straightforward, with a friendly softness coming from the rounded geometry.
The design appears intended as a contemporary, geometric workhorse that balances bold presence with straightforward legibility. It prioritizes clean construction, consistent weight, and simplified lowercase forms to perform reliably across prominent display and practical interface contexts.
In sample text, the spacing and letter shapes maintain consistent readability at large sizes, with round forms staying smooth and dark areas filling in decisively. Distinct shapes for similar characters (such as I, l, and 1) rely mainly on proportion and simple geometry rather than decorative differentiation.