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Free for Commercial Use

Sans Normal Venug 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Mollen' by Eko Bimantara, 'Mazot' by Hurufatfont, and 'JAF Bernini Sans' by Just Another Foundry (names referenced only for comparison).

Keywords: ui text, product design, editorial, presentations, branding, modern, clean, dynamic, neutral, technical, emphasis, clarity, contemporary tone, system consistency, readability, humanist, slanted, open apertures, rounded terminals, soft geometry.


Free for commercial use
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This typeface is a slanted sans with smooth, rounded curves and consistently low stroke modulation. Letterforms show open apertures and simple, geometric construction, with gently rounded joins and terminals that keep the texture even and un-fussy. Proportions feel balanced rather than condensed or extended, and the rhythm is steady across caps, lowercase, and figures, producing a clear, continuous line in text. Numerals follow the same streamlined, rounded logic, maintaining an even color and unobtrusive presence alongside letters.

It suits UI and product typography where a clean, unobtrusive italic voice is needed for emphasis, labels, and supporting text. The steady texture and open shapes also work well in editorial sidebars, decks, and modern branding systems that favor a restrained, contemporary feel.

The overall tone is contemporary and straightforward, with the slant adding motion and a mildly energetic, forward-leaning character. It reads as practical and neutral rather than decorative, suitable for interfaces and modern brand systems that want clarity without stiffness.

The design appears intended as a clear, modern italic companion with a calm, even texture and broadly familiar sans construction. Its focus is on readability and consistency across letters and figures, delivering emphasis through a controlled slant and smooth geometry rather than decorative detail.

The slant is applied consistently across the character set, helping emphasis without relying on dramatic contrast or sharp calligraphic cues. Curves in letters like C, S, and O appear smoothly drawn, and the forms avoid pronounced quirks, reinforcing an orderly, utilitarian aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸