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Serif Normal Atre 2 is a very bold, wide, high contrast, italic, normal x-height font visually similar to 'Angelic Pearl' by Letterena Studios and 'Fresh Mango' by Shakira Studio (names referenced only for comparison).

Keywords: headlines, posters, book covers, magazine titles, branding, dramatic, editorial, classic, confident, retro, impact, authority, motion, heritage, bracketed, calligraphic, rounded, swashy, ink-trap.


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A dark, emphatic serif with a pronounced rightward slant and strongly modeled strokes. The letterforms show clear thick–thin modulation with wedge-like, bracketed serifs and rounded joins that keep the heavy shapes from feeling rigid. Counters are moderately open for the weight, and curves (notably in O/Q and the lowercase bowls) are generously rounded, giving a slightly soft, inked texture. Terminals often finish with a subtle flare or teardrop-like shaping, and the figures follow the same italicized, high-energy construction with lively diagonals and angled stress.

Best suited for headlines and short-to-medium display text where its weight and modeled contrast can carry impact—magazine titles, posters, book covers, and bold brand wordmarks. It can work for pull quotes or section headers in editorial layouts, especially where a traditional serif voice is desired with added motion from the slant. For long passages, it will be most comfortable when given ample size and line spacing.

The overall tone is bold and theatrical, with a distinctly editorial voice that feels rooted in classic printing traditions. Its slanted posture and sculpted serifs add urgency and motion, while the rounded detailing keeps it approachable rather than severe. The result reads as confident, slightly nostalgic, and attention-seeking without becoming decorative to the point of novelty.

The design appears intended to deliver a classic serif impression with heightened energy: a forward-leaning, strongly contrasted construction that reads authoritative and expressive in display settings. The rounded bracketing and softened terminals suggest a desire to balance drama with warmth, keeping the heavy texture lively and printable-feeling rather than purely geometric.

Spacing appears intentionally robust, supporting dense color on the page, and the rhythm is driven by strong diagonals in letters like N, V, W, X, and Y. The italic construction is evident across both uppercase and lowercase, producing a cohesive forward-leaning texture in continuous text. At smaller sizes the heavy weight may reduce counter clarity, while at display sizes the sculpted modulation and serif shaping become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸