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Free for Commercial Use

Sans Superellipse Tuwo 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Rama Gothic' and 'Rama Gothic Rounded' by Dharma Type and 'Tungsten' by Hoefler & Co. (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, poster-like, utilitarian, punchy, condensed, space-saving impact, industrial voice, display utility, printed grit, blocky, stencil-like, compressed, rugged, high-impact.


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A condensed, heavy sans with tall proportions and rounded-rectangle (superellipse) curves throughout. Strokes are uniformly thick with low contrast, and terminals tend to be blunt and squared-off, softened slightly by rounding. Counters are compact and often vertically oriented, producing a tight, forceful rhythm; several joins and interior corners show subtle roughness that reads as intentionally worn. The overall texture is dark and continuous, favoring strong verticals and simplified geometry over delicate detail.

Best suited to headlines, posters, labels, and signage where a compact footprint and strong black shape are advantages. It can also work for wordmarks and packaging fronts that want a bold, industrial voice; for longer text, the dense texture and tight counters are likely to feel heavy at small sizes.

The font projects an industrial, utilitarian tone—assertive and straightforward, with a mildly distressed edge that adds grit. Its compressed shapes and dense color give it a poster-and-signage feel, suggesting urgency and impact rather than refinement.

The design appears intended to deliver maximum impact in a narrow width, using superelliptical construction and uniform stroke weight to keep forms simple and legible at display sizes. Slight irregularities in the edges add a weathered, printed character without departing from a fundamentally geometric, condensed sans structure.

Round letters like O/Q are built more like squarish ovals, reinforcing the superelliptical construction. Diacritics and punctuation aren’t shown, but the displayed set suggests a consistent approach to rounded corners, tight apertures, and sturdy numerals that match the uppercase’s compact presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸