Script Almun 2 is a very light, narrow, very high contrast, upright, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, delicate, romantic, refined, airy, formal elegance, signature feel, decorative capitals, luxury tone, event stationery, monoline feel, hairline, looping, swashy, calligraphic.
A delicate formal script with hairline entry strokes and pronounced thick–thin modulation that suggests a pointed-pen influence. Letterforms are tall and slender with generous ascenders and descenders, tight internal counters, and a slightly compressed overall footprint. Curves are smooth and continuous, with frequent loops on capitals and select lowercase letters; terminals often finish in fine, tapered flicks. Spacing and width vary noticeably from glyph to glyph, reinforcing the handwritten rhythm while maintaining a consistent baseline and generally upright posture.
This style performs best in short to medium-length settings where its thin strokes and flourished capitals can be appreciated—such as wedding stationery, event invitations, boutique branding, beauty or lifestyle packaging, and display headlines. It is most effective at larger sizes and in high-contrast print or screen contexts where the hairlines won’t be lost.
The font communicates a polished, romantic tone—graceful rather than playful—with a light, airy presence. Its looping capitals and fine hairlines read as ceremonial and personal, suited to moments where elegance and softness are the primary message.
The design appears intended to provide a formal, handwritten signature-like script that feels luxurious and poised, with decorative capitals for emphasis and a flowing lowercase for cohesive word shapes. The overall construction prioritizes elegance and gesture over utilitarian text density.
Capitals are especially decorative, featuring tall stems and occasional extended cross-strokes, while the lowercase maintains a calmer, more readable flow. Numerals are equally high-contrast and slender, matching the letterforms’ vertical emphasis and refined stroke endings.