Distressed Arry 2 is a regular weight, narrow, high contrast, upright, very short x-height font.
Keywords: posters, headlines, album art, packaging, social media, handwritten, gritty, casual, lively, raw, handmade feel, analog texture, expressive display, diy aesthetic, edgy tone, brushy, textured, organic, sketchy, uneven.
A hand-drawn, marker/brush-style alphabet with visibly rough edges, broken contours, and occasional ink drag that creates a dry-brush texture. Strokes show strong internal contrast, with pressure-like swelling and tapering, and terminals that often end in sharp flicks or blunted, frayed tips. Letterforms are simplified and slightly irregular, with inconsistent stroke joins and a loosely controlled baseline that preserves a spontaneous, made-by-hand rhythm across words and lines.
Best suited to display settings where texture and personality are assets—posters, event promos, album/cover art, apparel graphics, and punchy packaging callouts. It can work for short phrases and punchlines in editorial or social media graphics, where the rough stroke quality adds emphasis and a personal, DIY feel.
The font conveys an informal, human, and slightly abrasive energy—more like quick signage or a sketchbook headline than polished typography. Its textured strokes and imperfect outlines add urgency and attitude, giving it a gritty, street-level tone that can feel playful or rebellious depending on context.
The design appears intended to mimic fast, confident handwriting made with a brush pen or marker, preserving natural variation and imperfections to create a distressed, expressive surface. It prioritizes character and impact over precision, aiming for a tactile, analog look that feels immediate and unfiltered.
Uppercase forms read as brisk, handwritten caps, while lowercase introduces more idiosyncratic shapes and spacing, increasing the sense of motion in longer text. Numerals share the same tapering strokes and roughened finish, keeping a consistent hand-rendered character. The texture is prominent enough to become part of the voice, especially at larger sizes.