Sans Superellipse Askuv 11 is a very light, normal width, low contrast, upright, tall x-height font.
Keywords: ui design, app branding, signage, headlines, editorial display, clean, modern, minimal, technical, calm, system clarity, geometric identity, softened modernity, interface suitability, monoline, rounded, geometric, open counters, modular.
This typeface is built from monoline strokes with generously rounded corners and softly squared, superelliptical curves. Forms tend toward rounded-rectangle geometry rather than pure circles, giving letters like C, D, O, and Q a sleek, contained silhouette. Terminals are clean and mostly straight-cut, with occasional gentle curves; joins are crisp and consistent, and counters stay open, contributing to an airy texture. Uppercase construction is simple and geometric (notably the pointed A and angular V/W), while the lowercase maintains a smooth, even rhythm with straightforward, single-storey shapes and restrained descenders.
It performs well in user interfaces, dashboards, and product surfaces where a crisp, contemporary sans is needed without visual noise. The clean geometry and open shapes also suit short headlines, navigation systems, wayfinding, and brand typography for modern tech, lifestyle, or design-forward contexts.
The overall tone feels contemporary and disciplined, with a quiet, tech-adjacent polish. The rounded-rectangle motif softens the geometry, keeping the voice friendly and composed rather than stark. It reads as modern and understated, suited to interfaces and systems where clarity and restraint are valued.
The font appears intended to merge a geometric, system-like structure with softened superelliptical rounding for a refined but approachable feel. Its consistent monoline construction and modular curves suggest a focus on clarity, cohesion, and a distinctive rounded-rect identity across the full alphanumeric set.
The design language is highly consistent across letters and numerals, with repeated rounded-rectangle cues showing up in bowls, shoulders, and curves. The dotted i/j are small and neat, and the numerals follow the same modular logic, emphasizing smooth corners and simple, legible skeletons.