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Free for Commercial Use

Outline Tizi 5 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, signage, packaging, art deco, architectural, retro, display, elegant, decorative display, vintage revival, signage feel, ornamental clarity, monoline, geometric, condensed counters, inset detail, flared terminals.


Free for commercial use
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A monoline outline design built from clean, geometric forms and squared-off curves, with occasional soft rounding in bowls and shoulders. Many glyphs feature a consistent inner inset stroke or split-detail that creates a hollow, double-line effect, emphasizing vertical structure in letters like O, Q, and U and adding a crafted, engraved feel across the set. Terminals are largely straight and planar, with select flared or gently hooked finishes on forms such as J, S, and some lowercase tails, giving the rhythm a slightly decorative, poster-like cadence. Overall spacing reads open and airy due to the hairline contour and internal cut-ins, making the shapes feel crisp rather than heavy.

Best suited for headlines, posters, and branding where the outline construction and inset detailing can read clearly. It works well for logotypes, packaging, signage, and editorial display settings that benefit from a decorative, architectural tone, especially at medium-to-large sizes.

The font conveys a refined, vintage-modern mood reminiscent of Art Deco titling and architectural signage. Its precise outlines and inset detailing feel ornamental but controlled, suggesting sophistication and a display-first personality rather than everyday text utility.

The design appears intended to deliver an airy outline display face with a distinctive inset motif, combining geometric clarity with subtle decorative flourishes. The goal seems to be high-impact titling with a vintage-leaning, crafted look that remains clean and structured.

The numerals and capitals maintain a consistent modular logic, with clear, easily distinguished silhouettes and strong baseline alignment. The outline-only construction means the perceived weight will depend heavily on background contrast and rendering size, with the inset details becoming a key character feature at larger scales.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸