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Print Isnaz 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Otter' by Hemphill Type, 'MVB Diazo' by MVB, 'Marquee' by Pelavin Fonts, 'Aristotelica Pro' by Zetafonts, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, friendly, bouncy, chunky, cartoon, hand-drawn feel, friendly impact, casual display, characterful texture, rounded, soft, blobby, irregular, quirky.


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A heavy, rounded display face with soft, bulbous terminals and gently irregular contours that mimic marker or brush lettering. Strokes stay broadly uniform, with subtle wobble and slight asymmetry that keeps the texture lively rather than geometric. Counters are compact and often teardrop-like, and many joins are smoothed and inflated, giving letters a pillowy silhouette. Proportions vary from glyph to glyph, creating an uneven, hand-made rhythm while maintaining clear, readable forms across the alphabet and figures.

Best suited for short-to-medium display settings where bold, friendly impact is needed: posters, titles, signage, playful branding, packaging, and children’s or educational materials. It can work in larger blocks of copy for informal contexts, but its heavy weight and lively irregularity are most effective in headlines, callouts, and illustrated layouts.

The overall tone is upbeat and approachable, with a kid-friendly, humorous energy. Its puffed shapes and hand-drawn irregularity feel casual and conversational, suggesting warmth and informality rather than precision or authority.

The design appears intended to simulate hand-drawn, marker-like print lettering with a deliberately chunky, rounded build. It prioritizes warmth, visibility, and character over strict consistency, aiming for an inviting display voice that reads quickly and feels informal.

In text, the dense weight produces strong color and prominent word shapes, with rounded forms that reduce sharpness and make the page feel soft. The numerals and capitals share the same inflated construction, supporting consistent, poster-like emphasis. The irregular widths add character, though spacing and texture naturally feel more organic than strictly uniform.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸