Sans Superellipse Ombaj 2 is a regular weight, normal width, monoline, upright, tall x-height font visually similar to 'Anantason Reno' by Jipatype, 'Helsinki' by Ludwig Type, and 'Aksioma' by Zafara Studios (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, dashboards, modern, neutral, clean, technical, friendly, clarity, neutrality, systematization, approachability, rounded, geometric, superelliptic, crisp, compact.
A geometric sans with superellipse-driven curves and rounded-rectangle counters, giving round letters a softly squared silhouette. Strokes are even and steady, with clean terminals and minimal contrast, producing a crisp, contemporary texture. Proportions lean practical and space-efficient, with open apertures and simplified shapes that keep forms legible. The lowercase shows a tall x-height and straightforward construction, while the figures and capitals maintain the same controlled, rounded geometry for a consistent rhythm across text and display sizes.
Well suited to interface typography, product and system design, and data-forward contexts where clarity and consistency are priorities. Its steady stroke and open forms also make it effective for labels, navigation, and signage, while the distinctive rounded-rectangle voice can support contemporary branding and packaging.
The overall tone is modern and matter-of-fact, with a subtly friendly edge from the rounded geometry. It reads as clean and organized rather than expressive, suggesting a contemporary, product-oriented voice. The superelliptic shaping adds a gentle softness that keeps it from feeling overly rigid or industrial.
Likely designed to deliver a highly legible, contemporary sans with a recognizable superellipse signature—combining geometric discipline with softened corners for a more approachable feel. The consistent construction across letters and numerals suggests an emphasis on dependable performance in everyday digital and print applications.
Curves tend to resolve into slightly flattened arcs rather than perfect circles, which gives the text a distinctive “rounded square” cadence. Spacing appears balanced for continuous reading, and the glyph set shown maintains consistent construction across uppercase, lowercase, and numerals.