Sans Contrasted Kily 2 is a regular weight, wide, very high contrast, italic, normal x-height font.
Keywords: headlines, logos, posters, gaming ui, tech branding, futuristic, techno, mechanical, aggressive, game-like, sci-fi styling, industrial feel, display impact, interface energy, angular, faceted, segmented, chiseled, geometric.
A sharply angular, faceted sans with segmented strokes and prominent cut-in counters that create a stencil-like rhythm. Letterforms are built from straight, beveled planes with frequent diagonal terminals and hard corners, producing a distinctly engineered silhouette. The stroke behavior emphasizes thick slabs paired with thin connecting slashes, giving the shapes a bold top-and-bottom presence and a crisp, high-contrast sparkle in text. Spacing reads slightly open, with glyph widths varying noticeably across the set, and the forward slant adds speed and directional momentum.
Best used for short headlines, logos, title screens, and poster typography where its angular segmentation can be appreciated. It also fits gaming and tech/UI accents in larger sizes, such as menus, labels, and promotional graphics, where the forward-leaning forms reinforce motion and intensity.
The overall tone is sci-fi and industrial, with a tactical, machined energy that feels suited to interfaces, esports, and cyberpunk branding. Its chopped geometry and razor terminals communicate urgency and precision rather than friendliness, lending an assertive, high-tech voice.
The font appears designed to evoke machined lettering—like cut metal, tactical markings, or digital hardware—by combining geometric construction with deliberate breaks and beveled terminals. The goal seems to be a distinctive, high-impact display voice with a strong futuristic identity.
In continuous text the repeated horizontal cuts and internal gaps form a strong banding pattern, which increases visual texture but can reduce clarity at small sizes. The design favors display use, where the distinctive segmentation and beveled corners read as intentional styling rather than noise.