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Serif Flared Rymuk 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Cralter' by Edignwn Type, 'Menca' by Kvant, 'Arkais' by Logitype, 'Arthura' by Seniors Studio, and 'Plathorn' by insigne (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, editorial display, bold, confident, friendly, retro, poster-like, impact, readability, branding, vintage feel, display clarity, flared ends, soft corners, ink-trap feel, compact, sturdy.


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A heavy, compact serif with flared terminals that broaden into wedge-like endings. Strokes are largely monoline in feel, with only subtle modulation, and the joins and corners are slightly softened, giving the letterforms a chunky, carved look. Counters are relatively small and rounded, and the curves are full and weighty; diagonals (V, W, X, Y) read as strong, dense shapes rather than delicate strokes. The lowercase is sturdy and simplified, with single-storey a and g, a short-armed r, and a broadly proportioned t, producing an even, blocky rhythm in text.

This font is well suited to headlines, posters, signage, and packaging where a strong silhouette and high presence are needed. It can also work for logo wordmarks and editorial display settings, particularly when a retro-leaning, robust serif voice is desired. For long text, it will perform best at comfortable sizes with generous leading to offset the dense typographic color.

The overall tone is assertive and approachable, combining old-style, display-serif cues with a playful heft. Its flared endings and compact counters add a classic, slightly vintage flavor, while the rounded massing keeps it from feeling formal or sharp. The result is energetic and attention-getting without becoming ornate.

The design appears intended to deliver maximum impact through compact, weighty forms while retaining a serif identity via flared stroke endings. Its simplified lowercase and sturdy figures suggest a focus on versatility across branding and display typography rather than delicate, bookish refinement.

Spacing appears tuned for impact: the dense blackness and compact internal spaces create a strong typographic color, especially in the sample text. Numerals are equally heavy and simplified, matching the letters’ chunky proportions and reinforcing a consistent, headline-oriented presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸