Stencil Efry 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Grupi Sans' by Dikas Studio, 'Brother Garage' by Edignwn Type, 'Murs Gothic' by Kobuzan, and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, military, rugged, mechanical, stencil effect, bold impact, labeling, thematic display, geometric, rounded, chunky, modular, high-impact.
A heavy, rounded sans with modular construction and pronounced stencil breaks throughout. Strokes are monoline and broad, with soft corners and squarish counters that give the letters a chunky, compact silhouette. Many characters show consistent bridges and cut-ins that interrupt bowls and terminals, creating clear negative slits while maintaining sturdy overall shapes. Spacing and rhythm feel blocky and deliberate, prioritizing bold presence and legibility at medium-to-large sizes over fine detail.
Best suited for posters, headlines, and bold titling where the stencil construction can read clearly. It works well for signage, packaging, labels, and graphic applications that benefit from a stamped or cut-letter aesthetic. In longer text, it performs most convincingly at larger sizes with generous leading to prevent the internal breaks from becoming visually busy.
The tone is industrial and no-nonsense, evoking equipment labeling, shipping marks, and utilitarian signage. Its stout forms and repetitive stencil apertures add a rugged, tactical feel that reads as practical rather than refined. The overall impression is assertive and workmanlike, suited to bold statements and themed graphics.
The design appears intended to deliver a sturdy stencil look with rounded, modernized geometry—combining the practicality of bridged forms with a soft-cornered, high-impact silhouette. It emphasizes consistent cut patterns and strong, simplified letterforms to create an unmistakable industrial voice in display settings.
The stencil gaps are relatively wide and consistently placed, making the cut structure a primary visual feature in both uppercase and lowercase. Numerals follow the same bridged logic, keeping the set cohesive for labels and display copy. The rounded terminals soften the otherwise mechanical geometry, helping the font feel approachable despite its strong, stamped character.