Slab Square Asrez 10 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, editorial display, packaging, modernist, technical, minimal, decorative, geometric, constructed look, technical vibe, distinctive display, modernist styling, inline, monoline, slab serif, bracketless, stenciled.
A monoline slab-serif design with flat, square-ended terminals and an inline construction: most stems are drawn as a pair of parallel verticals (and similar double strokes in diagonals), giving a skeletal, outlined feel. Serifs are unbracketed and uniform, while curves are clean and near-geometric, with circular counters and smooth joins. Many glyphs feature a continuous horizontal bar cutting through the center (notably C, G, O, Q, e, o), creating a strong midline motif that reads like a strike-through or mechanical crossbar. Spacing and rhythm feel deliberate and open, with a crisp, engineered texture rather than traditional text-type modulation.
Best suited to display settings where its inline structure and midline crossbars can be appreciated—posters, headlines, title treatments, logotypes, and branding accents. It can also work for short editorial display and packaging text where a technical, modernist flavor is desired, but the internal striping and bars make it less ideal for dense body copy.
The overall tone is precise and schematic, evoking technical lettering, drafting marks, and modernist display typography. The inline double-stroke and recurring midline bar add a playful, coded quality that feels experimental while remaining orderly and legible at display sizes.
The design appears intended to reinterpret a classic slab-serif framework through a constructed, inline drawing logic and a consistent centerline motif, creating a distinctive display face that feels both engineered and decorative.
Distinctive details include the repeated double-stem treatment across many capitals and lowercase letters, plus centerline bars that unify rounds and add a strong horizontal axis through words. Numerals appear similarly clean and geometric, with the same no-nonsense terminal treatment.