Sans Other Myrir 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Goblock' by Grontype, 'Stallman Round' by Par Défaut, 'Crazy Robot' by Sealoung, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, futuristic, industrial, arcade, mechanical, playful, impact, tech tone, modular look, title display, brand stamp, square, blocky, rounded corners, condensed feel, stencil-like.
A heavy, geometric sans with squared silhouettes, softened by rounded corners and smooth curves. Strokes are consistently thick, with compact apertures and mostly straight-sided counters that read as cut-ins or notches, giving many letters a constructed, modular feel. Terminals tend to be blunt and horizontal/vertical, and the overall rhythm is tight, producing dense word shapes. Numerals and capitals follow the same boxy logic, with simplified interior shapes and strong, uniform color on the line.
Best suited to display use: headlines, posters, branding marks, and packaging where a compact, high-impact voice is needed. It also fits game/arcade-themed interfaces and titles, as well as tech or industrial concepts that benefit from a modular, constructed look.
The font conveys a bold, tech-forward mood with an arcade and sci‑fi flavor. Its chunky forms and engineered cutouts feel mechanical and game-like, balancing toughness with a slightly toy-like friendliness from the rounded edges.
The design appears intended to deliver maximum visual impact through a compact, block-built geometry, using squared counters and notched joins to create a distinctive, engineered identity. Rounded corners temper the severity, suggesting a deliberate blend of industrial structure with approachable display character.
At text sizes the tight openings and dense spacing can reduce clarity, while at larger sizes the distinctive notched counters and squared geometry become a defining graphic feature. The design’s strong fill and minimal contrast make it especially dependent on ample tracking and size for legibility in longer passages.