Sans Faceted Syru 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Expedition' by Aerotype, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Quayzaar' by Test Pilot Collective (names referenced only for comparison).
Keywords: posters, headlines, sports branding, game ui, signage, industrial, arcade, techno, athletic, military, impact, ruggedness, futurism, labeling, display, angular, blocky, chamfered, faceted, stenciled.
A heavy, block-constructed sans with sharply chamfered corners and planar facets that replace curves throughout. Strokes are uniform and squared-off, with counters and apertures cut as simple rectangles and notches, creating a crisp, mechanical rhythm. Uppercase forms feel compact and armored, while lowercase echoes the same geometry with simplified bowls and squared terminals; round characters (O, C, G, S) read as octagonal/segmental shapes rather than true curves. Numerals follow the same faceted logic, staying wide, sturdy, and highly graphic.
Best suited for display work such as posters, headlines, apparel graphics, and sports or esports branding where bold, faceted letterforms are an advantage. It also fits game UI titles, techno/industrial packaging, and signage that benefits from a rugged, high-contrast silhouette at large sizes.
The overall tone is tough and engineered, evoking industrial labeling, sci‑fi interfaces, and arcade-era display lettering. Its hard angles and dense silhouettes project strength and urgency, with a distinctly synthetic, game-ready energy.
The font appears designed to deliver maximum impact through rigid geometry and corner-faceted construction, translating a utilitarian, machine-made aesthetic into a cohesive alphabet. Its simplified, cut-in counters and consistent chamfers suggest an emphasis on punchy readability in big settings rather than extended text comfort.
In the text sample, the tight, rectangular counters and frequent corner cuts create a strong pixel-adjacent texture at larger sizes. The design’s aggressive cornering and enclosed shapes can reduce differentiation in longer passages, but it remains striking for short, high-impact messaging.