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Sans Faceted Nyto 8 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Aureola' by OneSevenPointFive, 'Stallman Round' by Par Défaut, 'Brightland' by Pixesia Studio, 'Monbloc' by Rui Nogueira, and 'Branson' by Sensatype Studio (names referenced only for comparison).

Keywords: headlines, posters, logos, signage, packaging, industrial, futuristic, authoritative, urban, mechanical, compact impact, geometric styling, signage feel, modern edge, angular, faceted, condensed, blocky, chamfered.


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A condensed, high-impact sans with sharply faceted construction and minimal curvature. Strokes remain essentially uniform in thickness, with corners cut into chamfers that create a planar, octagonal feel on bowls and terminals. Counters are tight and rectangular-leaning, apertures are narrow, and the overall rhythm is vertical and rigid, producing a dense, poster-like texture. Numerals and capitals share the same hard-edged geometry, with squared interiors and clipped corners that keep the forms consistent across the set.

Best suited to headlines, display typography, logos, and short callouts where its dense, angular silhouettes can do the work. It fits well in industrial or tech-forward branding, game/film titling, event posters, labels, and wayfinding-style signage, especially at medium to large sizes.

The letterforms project a tough, engineered tone—more machine-cut than handwritten—suggesting industrial signage and modern tech branding. Its sharp facets and compact width create a sense of urgency and control, reading as assertive and utilitarian rather than friendly.

The font appears designed to deliver maximum impact in a compact footprint, using faceted geometry to evoke precision and fabrication. Its consistent stroke weight and repeated chamfer motifs suggest an intention to feel modern, structural, and signage-ready while staying visually distinctive in display settings.

The design relies on repeated chamfer angles to replace curves, which helps maintain a coherent silhouette from glyph to glyph. In text, the narrow proportions and tight counters increase density, so spacing and size will strongly influence clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸