Sans Superellipse Onloz 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui design, app branding, product design, signage, headlines, modern, techy, clean, geometric, approachable, system-like clarity, geometric coherence, screen readability, contemporary branding, rounded corners, squarish rounds, crisp terminals, even rhythm, compact counters.
A geometric sans with rounded-rectangle (superellipse) construction and gently squared curves, especially visible in bowls and rounded characters like O, Q, 0, and 8. Strokes maintain a consistent thickness with clean, crisp terminals and minimal contrast. Uppercase forms are straightforward and slightly condensed in feel, while lowercase shapes stay compact with rounded corners and tidy counters; the single-storey a and g reinforce a contemporary, utilitarian structure. Numerals follow the same squarish-round logic, producing a cohesive, system-like texture in lines of text.
This font is a strong fit for UI and UX typography, dashboards, and digital product branding where clarity and a modern geometric voice are desired. Its rounded-square forms also work well for signage and short headlines, especially in technology, tools, and contemporary consumer applications where a clean but approachable tone helps.
The overall tone is modern and technical, with a friendly edge created by the softened corners. It reads as efficient and contemporary—well-suited to interfaces and product contexts—while avoiding sharp austerity thanks to its rounded geometry.
The design appears intended to translate superelliptic, rounded-rectangle geometry into a practical sans for contemporary screens and brand systems. It prioritizes consistency, legibility, and a recognizable “soft-tech” silhouette across letters and numerals.
Round characters lean more rectangular than circular, creating a distinctive “soft box” silhouette across the set. Spacing and stroke regularity produce an even typographic color, and the punctuation and dots appear square/rectilinear in spirit, matching the font’s geometric theme.