Sans Superellipse Rylal 6 is a bold, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, retro, playful, poster-like, friendly, sturdy, display impact, retro flavor, friendly geometry, brand distinctiveness, geometric, rounded, superelliptical, soft corners, compact.
A heavy, geometric sans with superelliptical bowls and rounded-rectangle construction throughout. Strokes are robust with noticeable contrast, and corners terminate in softened, slightly flared wedges that give counters and apertures a sculpted look. Proportions feel compact with broad curves on C/G/O and tall, vertical stems, while lowercase forms stay clean and simple with rounded shoulders and mostly closed shapes. Numerals and capitals share the same blocky, rounded geometry, creating a consistent, high-impact rhythm in lines of text.
Best suited to headlines, posters, logos, and branding where its chunky superelliptical shapes can read clearly and set a distinctive voice. It can also work for packaging and short signage copy, especially when you want a friendly, retro-leaning geometric feel. For longer text, it will be most comfortable at larger sizes with generous spacing.
The overall tone reads retro and playful, like mid‑century display lettering updated with cleaner geometry. Its rounded rectangular forms and sturdy weight feel friendly and approachable, while the sharp-ish wedge terminals add a touch of flair and energy. The result is confident and attention-getting without feeling aggressive.
This font appears designed to deliver a bold, geometric presence built from rounded-rectangle forms, balancing friendliness with strong visibility. The wedge-like terminals and compact rhythm suggest an intention to create a distinctive display texture that stands out in branding and headline settings.
The design leans on tight apertures and generous inner counters, which helps the dense weight stay legible at larger sizes. Repeated verticals and rounded corners create a strong texture in paragraphs, making it feel more like a display face than a quiet text workhorse.