Script Rigez 1 is a regular weight, very narrow, very high contrast, upright, short x-height font.
Keywords: logotypes, invitations, branding, headlines, packaging, elegant, romantic, fashion, refined, whimsical, display script, calligraphic mimicry, luxury feel, decorative caps, brand impact, calligraphic, swashy, hairline, looping, tall.
A calligraphic script with tall, condensed proportions and pronounced thick–thin modulation. Strokes alternate between bold vertical downstrokes and delicate hairline upstrokes, with tapered terminals and frequent entry/exit swashes. The letterforms show a consistent right-leaning cursive construction while remaining largely upright in overall stance, with long ascenders/descenders and a relatively small x-height. Spacing and widths vary by glyph, creating a lively rhythm; many characters feature looped joins, occasional open counters, and elegant curvature that reads clearly at display sizes.
Best suited to short, prominent text such as logos, product names, invitations, and brand headlines where the high-contrast strokes and swashes can be appreciated. It can also work for packaging and social graphics, particularly when set with generous tracking and ample line spacing to keep hairlines from crowding.
The overall tone is polished and dressy, with a boutique, editorial feel. Its sweeping hairlines and tall silhouettes convey sophistication and romance, while the occasional playful loops and exaggerated strokes add a light, whimsical flair.
The design appears intended as a formal, display-oriented script that emulates pointed-pen calligraphy while keeping a consistent, typeface-like repeatability. Its condensed height, dramatic contrast, and decorative capitals suggest a focus on impactful wordmarks and elegant titling rather than extended body copy.
Uppercase forms are especially decorative, with prominent swashes and dramatic contrast that can dominate a line of text. Numerals follow the same calligraphic logic, using slender curves and tapered ends, making them feel integrated with the alphabet rather than purely utilitarian.