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Free for Commercial Use

Sans Superellipse Oggah 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Carnac' and 'Carnas' by Hoftype; 'Bjorn', 'Priva', and 'Priva Pro' by Monotype; 'PF Adamant Sans Pro' by Parachute; and 'Twogether Rounded' by Sudtipos (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, ui labels, friendly, modern, confident, approachable, playful, softened geometry, high impact, brand friendliness, display clarity, rounded corners, soft geometry, compact fit, closed apertures, sturdy strokes.


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A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with minimal modulation and broad curves that resolve into flat-ish terminals, producing a compact, solid texture. Counters are relatively tight and apertures tend to be more closed, giving letters like e, a, s, and c a chunky, cohesive feel. The uppercase is wide and stable with squared-off curves, while the lowercase maintains simple, single-storey forms and short, blocky arms that reinforce the superelliptical rhythm.

Best suited to display and short-to-medium text where strong presence and a smooth geometric voice are desired—brand wordmarks, packaging panels, poster titles, and bold UI labels. It can also work for attention-grabbing subheads, though the tighter counters suggest giving it adequate size or spacing in dense settings.

The overall tone is friendly and contemporary, with a sturdy, no-nonsense confidence. Its rounded geometry reads approachable and slightly playful, while the dense blackness keeps it assertive and headline-ready.

The design appears intended to merge the efficiency of a geometric sans with a softer, more approachable superelliptical skeleton. By prioritizing rounded corners, compact counters, and uniform stroke weight, it aims to deliver high-impact readability with a contemporary, friendly character.

Numerals follow the same rounded-rect logic, with open, clear silhouettes and a consistently weighty presence. Diacritics and punctuation in the sample text sit cleanly within the same soft-cornered system, supporting tight, impactful setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸