Script Ifnor 3 is a light, narrow, medium contrast, italic, short x-height font.
Keywords: invitations, wedding, greeting cards, branding, quotes, elegant, romantic, classic, refined, whimsical, formality, elegance, flourish, signature, celebration, calligraphic, looped, flourished, slanted, hairline.
A flowing, calligraphic script with a pronounced rightward slant and slender strokes. Letterforms are built from smooth, continuous curves with frequent entry and exit swashes, plus occasional looped ascenders and descenders. Stroke contrast is subtle but present, with gently tapered terminals and a pen-like modulation that adds softness to the rhythm. Capitals are more ornate and expansive than the lowercase, featuring large loops and expressive swashes, while the lowercase remains comparatively restrained and compact with tidy, narrow counters and a consistent cursive cadence. Numerals echo the same handwritten logic, using curved forms and light terminals that keep the set cohesive.
This style fits best in display settings where its swashes and calligraphic rhythm can be appreciated—wedding suites, invitations, greeting cards, boutique branding, and short quotes or headings. It can also work for packaging accents or signature-style wordmarks when set at comfortable sizes with generous leading.
The overall tone is graceful and traditional, with a formal handwritten polish that reads as personal and celebratory. Its looping capitals and airy strokes lend a romantic, slightly whimsical character without becoming overly ornate.
The font appears designed to evoke a formal handwritten signature and classic calligraphy, balancing expressive capitals with a more readable lowercase. The emphasis on smooth joins, tapered terminals, and decorative loops suggests an intention to provide a refined script for celebratory and premium applications.
The design relies on smooth connectivity and long, curling terminals for personality, especially in uppercase forms such as G, J, Q, and Y. Because many letters carry flourished starts and finishes, spacing and line breaks benefit from a bit of breathing room to keep the silhouettes from feeling crowded.