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Free for Commercial Use

Stencil Isva 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Noah' by Fontfabric, 'Futura Now' by Monotype, 'Glendale' by Sarid Ezra, 'Montreal Serial' by SoftMaker, 'Infoma' by Stawix, 'TS Montreal' by TypeShop Collection, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logo marks, industrial, military, retro, playful, rugged, stencil effect, high impact, thematic display, sign painting, bold branding, chunky, rounded, modular, cutout, high-impact.


Free for commercial use
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A heavy, chunky display face built from simplified, rounded forms with consistent stencil breaks. Strokes are broadly monolinear with soft corners and slightly irregular, hand-cut edges that keep the texture lively. Counters tend toward circular or pill-like shapes, and many letters use vertical split cuts (and occasional notch cuts) that create clear bridges and strong internal rhythm. The overall silhouette is compact and sturdy, favoring bold masses and legible, geometric construction over fine detail.

Best suited to large sizes where the stencil bridges and cutouts can read clearly—posters, headlines, event titles, packaging, and bold signage. It also works well for logos and badges that want an industrial or military-inspired feel with a softer, rounded finish. In longer passages, the frequent internal breaks may become visually dominant, so it’s strongest as a display or short-text option.

The font reads as utilitarian and industrial, evoking painted stencils, equipment markings, and workshop signage. At the same time, the rounded geometry and quirky cuts give it a friendly, slightly retro character that feels more playful than severe. The result is attention-grabbing and assertive without becoming sharp or aggressive.

The design appears intended to deliver an instantly recognizable stencil look with maximum impact, using broad, rounded shapes and consistent breaks to maintain cohesion across the alphabet and numerals. It prioritizes graphic presence and thematic texture, making the cutouts a core part of the identity rather than a subtle functional detail.

The repeated internal breaks become a prominent pattern in text, creating a dotted/segmented cadence across words. In all-caps settings it feels especially uniform and emblematic, while mixed case adds a more informal, poster-like tone due to the simplified lowercase shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸