Sans Normal Pebab 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Madani' and 'Madani Arabic' by NamelaType, 'Almarose' by S&C Type, 'Core Sans C' by S-Core, 'URW Geometric' by URW Type Foundry, and 'Caros' by cretype (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, children’s media, friendly, playful, bold, approachable, retro, impact, approachability, display clarity, cheerful tone, rounded, soft corners, chunky, compact apertures, tightly fitted.
A heavy, rounded sans with smooth, swollen curves and softly blunted terminals that keep the overall silhouette friendly and compact. Counters are generally small and rounded, with modest apertures that make letters feel dense and punchy at display sizes. Strokes maintain a steady thickness with minimal modulation, and joins are clean and sturdy, producing a highly uniform texture in words and headlines. The lowercase is simple and geometric in construction, with single-storey forms and a short, robust feel; numerals match the same bulbous, rounded rhythm.
Best suited to headlines, posters, packaging, and bold branding where a soft, energetic voice is needed. It also works well for short UI labels, stickers, and social graphics, but long paragraphs may benefit from extra spacing due to the dense counters and tight rhythm.
The overall tone is warm, upbeat, and slightly retro, leaning into a toy-like softness rather than a technical or corporate feel. Its weight and rounded shaping give it a confident, attention-grabbing presence while still reading as approachable and friendly.
The font appears designed to deliver maximum impact with a friendly, rounded geometry—prioritizing legibility at display sizes and a cheerful, contemporary-retro personality over delicate detail.
The design favors solid black shapes and compact internal spaces, so it reads best when given generous tracking or used at larger sizes. Curved letters (C, G, O, S) emphasize the font’s circular construction, while diagonals (V, W, X, Y) remain thick and stable without looking sharp or aggressive.