Sans Superellipse Almom 11 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Bank Gothic' by GroupType (names referenced only for comparison).
Keywords: ui labels, tech branding, signage, posters, headlines, techy, futuristic, industrial, utilitarian, clean, space saving, tech aesthetic, geometric consistency, system feel, rounded-square, squared curves, closed apertures, high contrast corners.
A condensed, monoline sans built from rounded-rectangle geometry, with corners consistently softened into squarish curves rather than true circles. Strokes maintain even thickness and terminate with crisp, straight cuts, while bowls and counters stay compact and slightly squared. The overall rhythm is tight and vertical, with simple, schematic construction in both caps and lowercase; punctuation and dots appear square and the numerals echo the same rounded-rectilinear logic.
Best suited to interface typography, dashboards, device graphics, and tech-oriented branding where a compact footprint and geometric clarity are assets. It also works well for posters, short headlines, and wayfinding-style signage, especially when you want a modern, engineered look with consistent rounded-square forms.
The font projects a technical, futuristic tone—precise and engineered, with a subtle sci‑fi or interface feel. Its squared rounding keeps it friendly enough to avoid harshness, but the narrow proportions and closed forms read as purposeful and utilitarian.
The design appears intended to merge a compact, space-efficient footprint with a distinctive rounded-rectangular geometry, delivering a contemporary techno voice while keeping stroke weight even and construction straightforward. It prioritizes consistency and a systemized feel across letters and numerals for clear, repeatable display use.
Several shapes emphasize squared counters and reduced aperture openness, which strengthens the geometric identity but can make similar characters feel closer at small sizes. The superelliptic rounding is especially evident in O/0 and in curved letters like C, G, and S, creating a cohesive, system-like texture in continuous text.